Produced by Joe Hastings. Recorded in Amsterdam, Netherlands, Evolute Studios and engineered and recorded by Mike Wisti at Albatross Studios, Minneapolis, MN. Released 2002, the debut full length release from Guitarzan Vs. Bazzilla Featuring Drumasaurus Rex! "Extraterrestrial Highway" is a soundtrack/album that is time measured to accompany your

Produced by Joe Hastings. Recorded in Amsterdam, Netherlands, Evolute Studios and engineered and recorded by Mike Wisti at Albatross Studios, Minneapolis, MN. Released 2002, the debut full length release from Guitarzan Vs. Bazzilla Featuring Drumasaurus Rex! "Extraterrestrial Highway" is a soundtrack/album that is time measured to accompany your journey from the Quik Pik Mini Mart gas station in Rachel, Nevada on Highway 375 (a.k.a. the Extra-terrestrial highway), to the Medlin Mailbox at Area 51 (Groom lake road). 17 Tracks Total run time 50:06

This album "(NEW SOUNDS FROM THE STREETS) was produced by Joe Hastings in 2003.

The band, "Streets of Acid" is comprised of Joe Hastings (Guitar, Samples, Microphone Sound Effects, Vocal effects), Rob Dewey (Piano, Organ, Laptop Samples, Synth), Richard Casey (Electric and Upright Bass), and Zach Michels (Drums and Percussion).

In 2002, the band,

This album "(NEW SOUNDS FROM THE STREETS) was produced by Joe Hastings in 2003.

The band, "Streets of Acid" is comprised of Joe Hastings (Guitar, Samples, Microphone Sound Effects, Vocal effects), Rob Dewey (Piano, Organ, Laptop Samples, Synth), Richard Casey (Electric and Upright Bass), and Zach Michels (Drums and Percussion).

In 2002, the band, "Guitarzan Vs. Bazzilla featuring Drumasaurus Rex!", having a weekly residency night at The Terminal Bar in NE Minneapolis would invite friends and bands such as Rick McCollum (Afghan Whigs) and many others to play. "THE STREETS OF ACID" were formed as an experimental side project of G.V.B.F.D.R. that hosted the year long residency.

This album of seven tracks was recorded live in the studio straight to 2" magnetic tape then split-second bounced and mixed live to CD-R. It was mixed and recorded "on the fly" by Mike Wisti at Albatross Studios , Minneapolis, Minnesota, in March of 2003.

"Lajamanu" produced by Joe Hastings. A record entitled "Ambient Sound and Song" by a three piece ensemble named "Lajamanu". (2004)

From minimalist to all encompassing waves of frequencies-tension and release comes, "Lajamanu" an ambient escapade of a didgeridoo, percussion and guiatr texture. This album features Shivaji (didgeridoo), Zach Michels

"Lajamanu" produced by Joe Hastings. A record entitled "Ambient Sound and Song" by a three piece ensemble named "Lajamanu". (2004)

From minimalist to all encompassing waves of frequencies-tension and release comes, "Lajamanu" an ambient escapade of a didgeridoo, percussion and guiatr texture. This album features Shivaji (didgeridoo), Zach Michels (percussion) and Joe Hastings (guitar). Recorded live in the studio by Mike Wisti at Albatross studios in Minneapolis. For a live trio, this album sounds like a school of blue whales rumbling through the ocean floor. Track one starts out with a tease flow, "Lajamanu" into a myriad of liquid rumbles known as "Wamambool" full streams of consciousness with overt expression.

This recording is an approach in progression, instrumentation, experimentation and healing vibrations. All songs on this disc were not pre-cognitioned, meaning that there was no communique between the players about anything relating to the music prior to the recording, the music is completely improvised. This is a classic album for you space-out-didgeridoo-electric guitar-world-drum-kind of humans! Is it space people, rockers, or is it the Lajamanu (ambient sound and song)? 7 Tracks Total run time 48:14

The second full length release by The Streets of Acid entitled "Far from grounded". Produced by Joe Hastings (2005)- Joe Hastings (Guitar, Samples), Rob Dewey (Keys, Synth, Samples), Rich Casey (Electric and Upright Bass), and Zach Michels (Drums and Percussion). This is a grand escapade of Ambient Vs. Acid Jazz. Very deep and dark tones that

The second full length release by The Streets of Acid entitled "Far from grounded". Produced by Joe Hastings (2005)- Joe Hastings (Guitar, Samples), Rob Dewey (Keys, Synth, Samples), Rich Casey (Electric and Upright Bass), and Zach Michels (Drums and Percussion). This is a grand escapade of Ambient Vs. Acid Jazz. Very deep and dark tones that traverse many planes of existence. (8 Tracks; 52:17)

The second full length G.V.B.F.D.R. release entitled "Zetarock". Produced by Joe Hastings (2003). The mostly instrumental, ambient, space rock-n-roll, it opens with a song called "Permanent Access", it brings out the questions, "What level of manipulation is television bringing to Terran consciousness?", also, "Did the United States of America use

The second full length G.V.B.F.D.R. release entitled "Zetarock". Produced by Joe Hastings (2003). The mostly instrumental, ambient, space rock-n-roll, it opens with a song called "Permanent Access", it brings out the questions, "What level of manipulation is television bringing to Terran consciousness?", also, "Did the United States of America use television programming to try to win the cold war in the space-race? (9 Tracks, 53:39 Total run time)

Produced by Joe Hastings (1997) A Punk-Blues-Space-rock quartet from Minneapolis who called themselves "2200". Joe Hastings (Guitar, vocals), Mark McCaghy (Lead vocals). An evolutionary concept album recorded live that starts with 40's-50's earliest electric blues songs such as, T-Bone Walker's "T-Bone Shuffle" and "Stormy Monday", Jimmy Reed's

Produced by Joe Hastings (1997) A Punk-Blues-Space-rock quartet from Minneapolis who called themselves "2200". Joe Hastings (Guitar, vocals), Mark McCaghy (Lead vocals). An evolutionary concept album recorded live that starts with 40's-50's earliest electric blues songs such as, T-Bone Walker's "T-Bone Shuffle" and "Stormy Monday", Jimmy Reed's "Baby what you want me to do", then evolving into early rock-n-roll with the Beatles, "I Saw Her Standing There", Chuck Berry's "Roll Over Beethoven", then Ray Charles's, "Baby let me hold your hand", then an original crazy guitar John Lee Hooker style stomp rocker entitled, "Hooker", an instrumental live version! You thought that was all? No way! The album then explodes into one of the darkest deepest oceanic sounding waves of ambient space that is 17 minutes of full-on frontal space-out! Leading the way into "Extraterrestrial Highway"! The first four tracks are recorded live at the 400 bar (opening for R.L. Burnside) and are relatively smooth and vintage sounding, then a gusher of distorted bliss (not for the faint hearted) recorded at Biscuits and Blues in march of 1997 and is some of the highest energy sounding punk blues to come outta' Minneapolis period! (TOTAL RUN TIME 42:52; 7 TRACKS)